Selasa, 22 November 2011

THE CONNIE’S ADOLESCENCE AND IT’S IMPACT TO HER DECISION TO LEAVE WITH ARNOLD FRIEND On Joyce Carol Oates / Where Are You Going, Where Have You Been?

THE CONNIE’S ADOLESCENCE AND IT’S IMPACT TO HER DECISION TO LEAVE WITH ARNOLD FRIEND
On Joyce Carol Oates / Where Are You Going, Where Have You Been?

I. INTRODUCTION
1.1 General Statements

“Where Are You Going, Where Have You Been?” is a short story written by Joyce Carol Oates, first published in 1966. Joyce Carol Oates was born in 1938. As a child growing up in Lockport, New York, her preparation for her future career began early. At the age of fifteen she submitted her first novel to a publisher. Oates completed her college education at Syracuse University in 1960 and earned a master’s degree in English at the University of Wisconsin. Oates was inspired to write that story after hearing Bob Dylan’s song, “It’s All Over Now, Baby Blue”. She dedicated her story to Dylan and used some of the words from his song.
During the early 1960s, the growth of music genre is very significant. It influences the life-style of the youth. As told in the paragraph below:
“They sat at the counter and crossed their legs at the ankles, their thin shoulders rigid with excitement, and listened to the music that made everything so good: the music was always in the background, like music at a church service; it was something to depend upon.” (6)

In this story, Connie is the main character. She is fifteen years old. It’s the age of adolescence, that is a period of heightened "storm and stress". It views and examines 3 key aspects: conflict with parents, mood disruptions, and risk behavior.
1. Conflict with parents. Adolescents have a tendency to be rebellious and to resist adult authority. In particular, adolescence is a time when conflict with parents is especially high.
2. Mood disruptions. Adolescents tend to be more volatile emotionally than either children or adults. They experience more extremes of mood and more swings of mood from one extreme to the other. They also experience more frequent episodes of depressed mood.
3. Risk behavior. Adolescents have higher rates of reckless, norm-breaking, and antisocial behavior than either children or adults. Adolescents are more likely to cause disruptions of the social order and to engage in behavior that carries the potential for harm to themselves
and/or the people around them.
The family environment can be a strong source of support for developing adolescence, providing close relationships, strong parenting skills, good communication, and modeling positive behaviors. It can also be a problematic environment when those supports are lacking, or when negative adult behaviors are present. Where adolescence health is concerned, clearly the family matters, and parents matter.
This story tell us about how Connie refuses all her mother advices because she thinks that her life is hers. She also thinks that her mother more care to her sister, but factually, her sister is really nice girl. Because of her thought, she tries to searching for her independence, but unfortunately, she takes a wrong way by decides to leave with Arnold Friend.

1.2 Statements of The Problem
1. How is the conflict between Connie’s adolescence to her family described?
2. Why Connie actually decide to leave with Arnold Friend?

II. REVIEW OF RELATED LITERATURE
2.1 Concept of Family in America

Family (from Latin: familia) is a group of people affiliated by consanguinity, affinity, or co-residence. In most societies it is the principal institution for the socialization of children. Extended from the human "family unit" by biological-cultural affinity, marriage, economy, culture, tradition, honor, and friendship are concepts of family that are physical and metaphorical, or that grow increasingly inclusive extending to community, village, city, region, nationhood, global village and humanism. A family group consisting of a father, mother and their children is called a nuclear family (old-fashioned family). This term can be contrasted with an extended family (new-fashioned family). (http://wikipedia.org/family)
Then – here – one must understand family is the interesting places which is we can find the most enjoyable, and the influences we experience form certain events that have an effect on our behavior. In a family, it’s needed a good relationship, so there will no a misscommunication that can cause a breaking.

2.2 Concept of Adolescence
Acording to Cayne (1998) the word adolescence is interpreting a period of time in life in which an individual changes from childhood to adulthood. An anthropologist calls the events that take place during this time "rites of passage". He stated that a adolescent can be measured by many factors, which differ from country to country. Some apply the years while others observe the physical development. Many societies that the years from 12 or 13 years to 21 to 22 years.
In other description, Downey (1986) stressed that adolescence starts during puberty and it is also called the physical beginning of womanhood and manhood. It happens at an average of about 13 years, lf it is a girl and 14 years if a boy. Adolescent time is a stylistic period. The word stylistic is word that expresses different aspect of manifestation that can also be called changes in any life. It also includes the idea of not being steady and a time things combine in character.
According to Durojaiye (1980) the adolescence life is made up of bad manners, contempt for authority and disrespect for elders. In addition, he viewed the period of adolescence as a time when the individual develops some value of beauty. Another reference is to Aristotle, who viewed the period as a time when the individual has to make choice of school, job or life partner. These according to him are culturally determined and are influenced by the society.
In other source, G. S. Hall’s (1904) has his own view about adolescence. He say adolescence is a period of heightened “Storm and Stress”. This “Storm and Stress” view and examine three key aspect : conflict with parents, mood disruption, and risk behavior.
Then – here – there’s no specific age bracket has been generally accepted. The concept of adolescence involves the development of the organs of the body towards full maturity. The physical changes during the period include the development of the voice, increase in height and change in body configuration of girls, the appearance of first menstruation and breast development becomes preminent. ln both male and female, physical development is major landmark in adolescence. But adolescence should be considered as psychophysical and psychosocial period during which most young persons adjust to radial changes in their body, outgrow the psychological response of childhood and begin to acquire the behavior pattern of adult with varying degree of success. This concept is necessary to contain two major perspectives of adolescence namely tradition and contemporary ideas.

III. ANALYSIS
3.1 Characters
3.1.1 Connie

Connie, a fifteen-year-old teenager, is preoccupied with her appearance. Her mother notices her to stop admiring herself in the mirror, but Connie ignores her mother’s criticisms. It’s shown in this paragraph below:
“Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right. Her mother, who noticed everything ..... Connie would raise her eyebrows at these familiar old complaints and look right through her mother...” (1)

She tries to appear older and wiser than she is, and her head is filled with daydreams and popular music that feed her ideas of romance and love. It is shown in this paragraph below:
“They sat at the counter and crossed their legs at the ankles, their thin shoulders rigid with excitement, and listened to the music that made everything so good: the music was always in the background, like music at a church service; it was something to depend upon.” (6)

3.1.2 Arnold Friend
A dangerous figure who comes to Connie’s house and threatens her. Arnold has pale, almost translucent skin, his hair looks like a wig, and he appears both old and young at the same time. It is shown in this paragraph below:
“She said suddenly, "Hey, how old are you?"
His smiled faded. She could see then that he wasn't a kid, he was much older—thirty, maybe more. At this knowledge her heart began to pound faster...” (78 – 83)


He seems like a demonic figure, perhaps even a nightmare rather than an actual human being, but his true character is never fully clarified. He speaks calmly and quietly to Connie, which makes him seem even more threatening, and in an ambiguous scene near the end of the story, he may attack her inside her home. He ultimately convinces Connie to get in the car with him. It is shown in this paragraph below:
“He spoke in a simple lilting voice, exactly as if he were reciting the words to a song. His smile assured her that everything was fine...” (59)

3.1.3 Ellie
A friend of Arnold’s when Arnold drives up to Connie’s house, Ellie stays in the car, listening to music and watching while Arnold treathens Connie. He seems mostly indifferent to what’s happening but offers to disconnect Connie’s telephone, an offer Arnold refuses. It’s shown in the paragraph below:
"You want that telephone pulled out?" Ellie said. He held the radio away from his ear and grimaced, as if without the radio the air was too much for him. "I toldja shut up, Ellie," Arnold Friend said, "you're deaf, get a hearing aid, right? Fix yourself up...” (131-132)

His strange first name is close to the name Eddie, the name of the boy Connie was with on the night she first saw Arnold. It’s can be found in the paragraph below:
“A boy named Eddie came in to talk with them. He sat backwards on his stool, turning himself jerkily around in semicircles and then stopping and turning back again...” (7)

3.1.4 Connie’s Mother

A near-constant source of frustration for Connie. Connie and her mother bicker constantly and disagree about almost everything. Connie’s mother envies Connie’s youth and beauty, which she herself has lost. It is shown in this paragraph below:
“...Her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie.” (1)

“...If June's name was mentioned her mother's tone was approving, and if Connie's name was mentioned it was disapproving. This did not really mean she disliked Connie, and actually Connie thought that her mother preferred her to June just because she was prettier....” (11)


3.1.5 Connie’s Sister (June)
Connie’s older sister. June is nearly the opposite of Connie. Twenty-four years old, overweight, and still living at home, she is a placid, dutiful daughter. She obeys her parents and does chores without complaining. Because June goes out at night with her friends, Connie is permitted to do so as well. It is shown in this paragraph below:
“Her sister June was twenty-four and still lived at home. She was a secretary in the high school Connie attended, and if that wasn't bad enough—with her in the same building—she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother's sisters. June did this, June did that, she saved money and helped clean the house and cookedand Connie couldn't do a thing, her mind was all filled with trashy daydreams...” (3)


3.2 The Description of The Conflict between Connie’s Adolescence to Her Family

Connie, a fifteen-years-old teenager, lives with her parents, and June, her twenty-four-years-old sister, share the same house. The relationship that Connie has with her mother is questionable because she always considers her daughter prettier and younger even though she also pretty as Connie. It is can be found in paragraph below:
“Her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie.” (1).

The relationship with her sister is also unpleasant because the mother more praises June because Connie rejects the role of her sister to be a nice girl. It’s shown in paragraph below:
“Her sister June was twenty-four and still lived at home. She was a secretary in the high school Connie attended, and if that wasn't bad enough—with her in the same building—she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother's sisters. June did this, June did that, she saved money and helped clean the house and cookedand Connie couldn't do a thing, her mind was all filled with trashy daydreams...” (3)

With her mother constantly praising June as the better of the two, a great deal of resentment develops between Connie and her mother. In fact, she often wishes she and her mother were died, as in this paragraph below:
“...Connie wished her mother was dead and she herself was dead and it was all over...” (3)

Her father is also unhelpful because he works during the day, arrives home late each evening, and as a result, he never has time for get a little talk with his daughters, it can be found in the paragraph below:
“...Their father was away at work most of the time and when he came home he wanted supper and he read the newspaper at supper and after supper he went to bed. He didn't bother talking much to them...” (3)

Connie’s conflicts with her family cause her efforts to make herself sexually attractive. That’s a part of her search for independence. Her experiments with creating a sexy appearance and enticing boys in the local diner serve as her attempt to explore new world as well as a new side of herself. Her concerns are typically adolescent. She obsesses about her looks, listens to music, hangs out with her friends, flirts with boys, and explores her sexuality, and is in constant conflict with her family.

3.3 The Reason Why Connie Decides to Leave with Arnold Friend
In a profile such as this, one can recognize the basic psychological elements that comprise the character, many of which increase the desire they have for social acceptance, and in the case of Connie, she opens the door for people such as Arnold Friend to become a part of her life. When Connie looks through the door and sees Arnold Friend she notices that he is like the other boys she hangs around with. It’s shown in the paragraph below:
“...Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pull-over shirt...” (46)

Connie is comfortable with the way Arnold looks and there is a physical attraction by the way she describes him. When Arnold Friend speaks to Connie it is like a “singsong” to her ears, she wants to listen to what he has to say. Though, her family members provide her with a feeling of isolation, Arnold Friend offers her some new experiences by making his love, affection, and guidance available through a number of guarantees:
“Yes, I’m your lover. You don’t know what that is but you will,” he said. “I know that too. I know all about you. But look: it’s real nice and you couldn’t ask for anybody better than me, or more polite. I always keep my word. I’ll tell you how it is, I’m always nice at first, the first time. I’ll hold you so tight you won’t think you have to try to get away or pretend anything because you’ll know you can’t. I’ll come inside you where it’s all secret and you’ll give in to me and you’ll love me ….” (104)

Despite the dreams that the music from the radio and the persuasive words from Arnold Friend offer her, the desires that Connie has are what determine whether or not she chooses to stay at home. With a dysfunctional family, she is no longer comfortable at home and somewhat bitter about having faced such a life; in other words, this presents the possibility that Connie is employing a vindictive streak to regain respect of which her parents have been depriving her for a number of years.
Even though Arnold Friend may provide her with an attractive lifestyle despite her fear of leaving home, the possible difficulties accompanying him are in no way clear to Connie. In fact, she starts to reconsider the possibilities, and her conscience questions some of his reasoning after locking herself behind the screen door.
“Shut up! You’re crazy!” Connie said. She backed away from the door. She put her hands up against her ears as if she’d heard something terrible, something not meant for her. “People don’t talk like that, you’re crazy,” she muttered. Her heart was almost too big now for her chest and its pumping made sweat break out all over.” (105)

Instead of protecting herself, she may have been seducing him. After all, she does know how to play the game well as a result of flaunting herself at the drive-in, teasing the older boys on her own terms, and telling each of them goodbye whenever she considered it appropriate. Despite her understanding of the situation, she eventually leaves with him even though one can consider her reluctance a sign of insecurity and a fear of the unknown.
In addition to the possibility of a new adventure, Connie is joining someone who apparently cares about her more than either her parents or her sister has. That is, she now has to face the difficulties that may have been looking for her through Arnold Friend and that becomes clearer when she leaves with him. It’s shown in the paragraph below:
“She put her hand against the screen. She watched herself push the slowly open as if she were back safe somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited. “My sweet little blue-eyed girl,” he said in a half-sung sigh that had nothing to do with her brown eyes but was taken up just the same by the vast sunlit reaches of the land behind him and on all sides of him—so much land that Connie had never seen before and did not recognize except to know that she was going to it.” (159-160)

By referring to the song “Baby Blue” by Bob Dylan, Arnold Friend is taking advantage of the influence that music has over her, and he is hoping those particular words provide her with the sense of security he considers necessary. At the start of the song, Dylan states that “You must leave now, take what you need, you think will last / But whatever you wish to keep, you better grab it fast.” In response, Connie follows his advice and ventures into the unknown because she believes he has a better place available for her.
Young men and women, whether they are adolescents or adults, often leave home for an adventure, a new life, or merely to disappear from society as they understand it. The character, Connie, is making choices any different than the ones she makes under the same situations. She leaves home to pursue a new life for the simple reason her family does not fulfill her need for a loving and affectionate relationship with each one of them. Not only did she want to gain their trust, but she also needed their guidance whenever possible for as long as she could remember. When Arnold Friend entered her life, things changed because he was persuasive, knowledgeable about the world around them, and was aware of the fact she badly wanted someone to love her. She had experienced the images of love and sounds of romance through watching movies and listening to music for quite a while, and despite her age, she was certain she knew how to handle the choices Arnold Friend was making available to her.

3.4 CONCLUSION

As we thought before, this short story forces them to examine the deep psychologycal problems that people, such as themselves, often face during their own lifetime. Readers, therefore, gain a better understanding of the character through the emotions that are a result of their own experiences. In other words, the approach known as psychological criticism has readers focus their attention on a literary work by analyzing the presentation after they have interpreted the action and the conflict that actually determine the outcome of the character within the story under consideration. To accomplish that goal, not only must one examine the text closely in order to obtain an effective psychological profile of the character, but they must also delve into the actual psyche of a characters such as Connie in order to have a better comprehension of her actions. When that information finally becomes clear to them, readers do grasp a better understanding of her actions and can jutisfy why it is that Connie actually leaves with Arnold Friend.

Senin, 08 Agustus 2011

Seratus Hari Kepergianmu...

Bismillahirrohmaanirrohiim...

"Aku menulis ini, bukan untuk menggugat keputusan Allah swt., tapi lebih untuk melerai duka, melarung lara, karena kepergian sosok yang berharga. Semoga dengan menulis ini tidak mengurangi nilai kesabaran dan keikhlasan, karena aku tetap ingin digolongkan sebagai orang yang sabar dan ikhlas saat dicoba. Dengan ini aku banyak belajar."


Genap seratus hari kepergianmu, tapi aku merasa kamu belum pergi jauh. Padahal semua orang tau, bahkan rumput di atas pusaramu pun akan berkata bahwa kamu takkan pernah kembali. Masih selalu kuingat tawamu, candamu, dan nasihatmu. Tak pernah sekalipun kamu marah padaku, kamu selalu dalam lembut diammu.

Seratus hari kepergianmu, maaf.. aku tak sempat menjenguk pusaramu hari ini. Bukan, bukan karena aku tak mau. Tapi tubuhku tak mampu. Jauh...ribuan, atau bahkan berjuta tahun cahaya, aku telah kehilanganmu. Di langitmu, apakah kau juga menghitung kepedihan meninggalkanku? Seperti aku yang masih saja belum bisa bersahabat dengan dunia yang membedakan hidup dan mati.

Aku berjalan tertatih, menghitung setiap langkah kakiku. Kapankah aku mencapaimu? Aku masih meneteskan air mata jika mengingat segala tentang kamu, semoga itu bukan berarti aku terjebak pada rasa kehilangan dan terperangkap romantisme bersamamu, dulu. Dalam mimpi, kau tersenyum dan memarahi air mataku. Semua suara pun membisiki, jangan tangisi kepergianmu. Lantas, ke manakah hakku?? Bukankah aku berhak atas air mataku sendiri?? Dan aku berhak atas rasa yang ada di hatiku.

Seratus hari kepergianmu, aku masih berusaha untuk berdamai dengan diriku sendiri. Begitu banyak nasihat ku dapat dari sahabat. Maafkan aku sahabat-sahabatku, jika aku seolah mengabaikan semua yang kalian katakan. Aku mengerti maksud kalian baik untukku, tapi alam bawah sadarku belum bisa sepenuhnya menerima apa yang kalian anjurkan. Aku terharu, sekaligus pilu.

Maaf jika segala pertanyaan tentang apa sebab akan “hal itu” tidak ada jawaban dariku. Semoga itu bukan karena ketidakikhlasan. Aku hanya merasa letih, harus menjawab hal yang sama berulang-ulang. Aku juga takut, jika sebab kematian menjadi begitu jelas bagiku, justru akan berbalik menjadi gerbang penyesalan untukku, yang dibisikkan oleh setan. Aku takut akan ada bisikan-bisikan: “kalau saja begini, kalau saja begitu..” Astaghfirullah... Cukuplah aku katakan bahwa waktu untuknya telah tiba, tidak bisa dimajukan atau dimundurkan, apa pun sebabnya.

Masih lekat dalam ingatan semua mimpi yang sempat kita rencanakan. Masih terekam jelas semua pesan dan nasihat yang selalu kamu berikan. Masih ku ingat keinginanmu untuk hidup seribu tahun. Namun, ternyata Allah memanggilmu lebih dulu. Masih ku ingat pula kata yang sempat kamu utarakan: “u’ll be the last for me”, dan benar saja.. Allah mengijabahnya, meski ku tak pernah sangka, dengan inilah cara-Nya. Masih banyak, masih banyak lagi kenangan indah bersamamu, yang akan terus kusimpan, dan kuceritakan nanti, saat kita berjumpa lagi. Tunggu aku ya darl, doaku.. semoga Allah mengijinkan kita bersama lagi di surga-Nya, nanti... Amiin.

Darl.. aku hanya ingin mengenang hal-hal yang indah darimu. Bukan ingin memberatkan langkahmu untuk lelap kembali dalam rengkuhan Allah swt. Sungguh aku juga ingin berpulang sepertimu, lelap dalam tidur panjang tanpa beban..suatu saat nanti.

Sungguh, siapa menduga Allah melalui Izroil-Nya akan menjemputmu begitu cepat. Sungguh, bahkan sampai kamu diambil-Nya pun, sesaat aku masih belum percaya. Karena semuanya begitu cepat terjadi. Aku hanya bisa berucap:

Inalillahi wainna ilaihi rooji'un..

Meski memang hanya terhitung bulan masa yang indah bersamanya.

Terima kasih yaa Allah, Kau berikan kami kesempatan untuk kembali mengenal,

bahkan lebih dekat, setelah ada satu setengah tahun kami lost-contact,

tidak saling bertegur sapa.

Kini telah Kau panggil dia pulang dalam rengkuhan-Mu.

Aku ridho akan takdir-Mu, yaa Rabb...



Aku tidak perlu kata-kata lagi. Seratus hari sejak kepergianmu, sempatkanlah menjengukku dan orang-orang yg menyayangimu.

Doa ku akan selalu bersamamu, apah...

Al-fatihah...



*this note is dedicated to almarhum Wahyu Widodo, yang wafat Senin, 02 Mei 2011 --*e_c*--

Jumat, 22 Juli 2011

Terima Kasih, Yuwi...

” Saat Terindah Dalam Hidupku Adalah Bersamamu, Saat Tersedih Dalam Hidupku Adalah Kehilanganmu”


Namanya Yuwi, cowok yang baru berusia 23 tahun. Wajahnya.. kata orang sih nggak ganteng, nggak putih dan juga nggak atletis. Sampai detik ini, temen-temen masih mikir? Kok bisa ya dia jadi pacarku? Padahal sumpah mati mereka tau, aku nggak pernah berharap punya pacar kayak dia.

Mungkin awalnya demikian, tapi dari seorang Yuwi..aku belajar banyak tentang bagaimana menghargai seorang laki-laki, bagaimana memperlakukan laki-laki, dan terakhir bagaimana mengerti arti cinta itu sesungguhnya.


Suatu hari, aku lagi asyik online. Temen-temenku uda pada mulai eksis di dunia maya. Rasanya kalau nggak gabung, bisa jadi aku dianggap ketinggalan zaman. Padahal anak SD pun punya akun di dunia maya. Lupakan sejenak kisah stupid itu, yang pasti dari dunia maya, aku bisa kontak-kontakan lagi sama temen-temenku dari jaman pipis di celana sampai sekarang ngerti kalau umurku uda berkepala dua, 20 tahun.

Nah, karena baru aja putus cinta. Rasanya aku alergi banget sama foto-foto mantanku yang nangkring di akun-ku, jadi tugasku malam itu adalah menghapus semua foto-foto mantanku. Tapi semakin aku perhatikan foto-foto kenang-kenangan kita, kok rasanya aku jadi sedih sendiri ya. Sampai tanpa sadar aku nangis, padahal yang minta putus juga aku. Sepertinya menjadi satu kesalahan fatal aku bersama dia.
Saat aku menangis, seseorang muncul di chat-ku. Dia bilang:

“ Lagi putus cinta ya? “ kata dia.

Awalnya mau ku cuekin, tapi kayaknya bakal menarik juga ya kalau aku marah-marah dan maki-maki orang ini, soalnya setau ku, dia bukan pemarah. Ya, aku tau siapa dia. Namanya Yuwi. Kakak kelasku semasa SMA, tapi kami hanya sekedar kenal nggak begitu akrab. Perkenalan kami pun karena dia kakak sepupu salah seorang temen baikku. Well, kembali ke chat.

“ Sok tau!” kataku,

“ Ya tau dong, kan aku juga lagi putus cinta, senasib deh..”

Kalimat dia bikin aku langsung nyengir. Penasaran sekaligus merasa senasib. Singkat kata, walaupun belum terlalu akrab sama dia, akhirnya kita malah jadi curhat-curhatan. Aku jadi tau juga, kalau dia putus sama pacarnya karena nggak cocok setelah beberapa bulan pacaran. Dalam hatiku berkata, baru beberapa bulan uda dibilang kagak cocok, masa iya dia terdukung sebagai playboy?

Akhirnya kita nggak bicara lagi setelah malam itu, tapi dia sempat memberikan nomor ponselnya ke aku.

“ Thanks uda mau temenin ngobrol malam ini?”

Aku hanya senyum-senyum manggut, setauku, harusnya aku yang curhat, kok malah jadi dia. Ya sudahlah, setidaknya dia uda bikin malam ini berwarna. Kita pun pisah, tanpa bicara dan aku sempat memberikan nomor ponselku juga.

“ Kenapa harus Heaven_devil, kenapa ga Heaven_angel”

Komentar dia soal nama id-ku. Aku terdiam dan offline. Bukan urusan dia kalau aku mau jadi devil or angel, yang pasti hari itu menjadi hari permulaan kita.

***

2 bulan kemudian.
Ada acara kopdar dan halal bihalal sebuah room-chat dunia maya di sebuah cafe. Awalnya aku nggak ingin hadir. Tapi Yuwi mengajakku turut serta, akhirnya dia menjemputku. Nggak banyak orang yang ku kenal di acara itu. Berbeda dengan Yuwi, yang sudah cukup akrab dengan semua orang yang ada di tempat itu. Ada satu hal yang agak mengganjal dan sempat memunculkan pertanyaan di otakku. Ada yang ku rasa berbeda dari sapaan salah satu cewek di komunitas itu. Karena ku rasa tidak ada yang salah dengan diriku, aku cuek.

***

2 minggu kemudian.
Salah satu temen dari dunia maya nikah. Aku dapet undangan juga. Aku tau, tentunya tau banget rasanya ke undangan seorang diri. Kalau bukan karena yang ngundang ini baik sama aku, pasti aku nggak mau datang. Kebetulan temen baikku, May juga dapet undangan, jadi aku pikir bisa bareng sama dia. Kita memutuskan untuk menghadiri undangan usai maghrib dengan berangkat sendiri dari rumah masing-masing dan ketemu di lokasi.

Siang harinya, aku mendapat sms dari Yuwi, intinya menanyakan soal undangan. Dan akhirnya, Yuwi memutuskan untuk ikut bareng juga.

***

Malam harinya, tepat usai maghrib, Yuwi sudah nongol di depan rumahku. Pikirku, on-time juga ini orang. Di saat perjalanan pulang, aku ngobrol ringan sama dia. Berkali-kali dia ingin mengatakan sesuatu padaku, tapi diurungkan niatnya itu. Sampai sempat aku dengar dia bilang, “I love you”. Aku pura-pura tidak mendengar dengan jelas, ku minta dia untuk mengulangi. Dia hanya berkata, “Ah, bukan apa-apa”.

Singkat cerita, sejak saat itu kami semakin dekat. Dia sering sekedar mampir atau main ke rumahku. Entah itu sewaktu dia pulang ngampus maupun memang sengaja berangkat dari rumah. Entah apa sebutan untuk kedekatan itu. Kekasih belum, temen lebih.

Suatu malam, dia meminta maaf dan bercerita kalau dia mendekatiku awalnya hanya untuk membuat cemburu seorang cewek. Aku sempat marah dan..cemburu! lho?? Aku cemburu? Hah. Yang benar saja. Aku mencoba menetralkan perasaanku.

Aku banyak bertanya kenapa harus aku dan kenapa dia melakukan hal itu. Saat itu pula aku sadar, kenapa aku mendapat tatapan yang berbeda saat acara halal bihalal beberapa bulan lalu. Dia menceritakan semuanya, dan baiklah..bisa diterima, walau agak nyeseg juga sih... Sebagai permintaan maafnya, dia bakal nraktir aku. Aku setuju saja.

***

Kebetulan hari itu aku masuk siang. Dia jemput aku dan mengantarku ke kampus. Aku suruh dia pulang, ku bilang biar nanti aku pulang sama temenku. Dia menolak, memutuskan untuk menunggu sampai jam kuliahku selesai. Tersentuh juga saat ku lihat dia duduk sendirian sambil merokok di luar kelas, diam-diam ku perhatikan dia.

Pulang dari kampus, kita memutuskan untuk cari makan dan kita bicara panjang lebar. Mengenal Yuwi lebih dalam tentang siapa dia. Orangnya menarik, sopan dan yang pasti baik sekali. Aku bukan cewek yang bodoh dalam menilai, tapi aku yakin banget, Yuwi itu terlalu baik sebagai cowok, apalagi ditambah dengan kalimat dia tentang kisah cinta dia yang berujung kalau dia ditinggalkan sama pacarnya.

Kami juga bercerita tentang kisah-kisah masa lalu sewaktu masih di SMA. Kami sering main bareng temen-temen satu gank, rame-rame. Dia memang kakak buat anak-anak gank-ku. Dia pun bertanya kenapa aku bisa putus dengan cowokku. Aku ceritakan semuanya. Nggak sadar, aku nangis. Cengeng banget ya. Dia memelukku. Dan kalimatnya yang indah membuat aku tersadar untuk berhenti menangis.

“ Etha, jangan menangis untuk orang yang menyakiti kamu, tapi menangis untuk kebahagiaan kamu karena akhirnya kamu tau siapa cowok itu..”

Yuwi benar, aku nggak boleh menangis karena orang stupid itu, harusnya menangis karena bahagia akhirnya aku tau cinta dia itu palsu.

***

Yuwi seperti obat bagi kehidupanku setelah makan siang itu, aku banyak menghabiskan waktu sama dia. Lucunya, dia seperti banyak waktu untuk orang seperti aku, malam-malam dia datang ke rumah hanya untuk mengantarkan coklat atau kue. Padahal sedang musim hujan. Dia rela nungguin aku di kampus padahal dia juga ada janji lain.

Yuwi memang pria yang sangat baik, dia tetap selalu setia ada dalam hidupku. Dia rela menjagaku saat aku sakit. Entah apa yang dipikiran Yuwi. Mengapa dia sangat baik sama aku. Di suatu malam, entah karena aku lagi bad mood karena habis ribut sama mamah. Aku langsung mempertanyakan semua yang ingin aku tau.

“ Kenapa sih, kamu baik banget?” tanyaku.

“ Apa salah kalau aku baik sama calon istriku?” jawabnya jelas.

Jawaban yang membuatku terdiam dan nggak bisa berkata-kata, oh, speechless.

“Kenapa aku? Nothing special in me” kataku.

“Ku jatuh hati pada semua yang ada di diri kamu, biarkan sayang mengalir dengan apa adanya, ku cuman ingin meyakinkan kamu” jelas dia.

Oke. Aku nggak bisa ngomong apa-apa lagi. Tepatnya, bingung..atau semakin yakin ya?

Yang pasti hari-hari ku berjalan dengan dia ada bersamaku. Memang hanya beberapa bulan, tapi terasa sekali kehadirannya dalam hidupku. Jelas saja, hampir tiap hari dia ke rumahku, sudah seperti rumah kedua buat dia. Dia sudah menjadi bagian dari hidupku meski aku nggak pernah memberi jawaban pasti akan perasaannya. Aku terlalu naif untuk mengakui perasaanku.

***

Sampai pada suatu malam.
Seperti biasanya, dia berencana untuk ke rumahku. Nggak seperti biasa, selain karena hujan yang nggak berhenti sejak siang, entah karena apa aku sangat nggak setuju dan melarangnya. Tapi sms terakhir dia bilang sudah terlanjur siap berangkat. Dengan segera aku larang dia. Dan sepertinya terlambat untuk mencegah kenekatannya.

Satu jam, dua jam, tiga jam..nggak ada kabar dari dia. Kalau dia nekat, nggak sampai satu jam dia harusnya uda ada di rumahku. Tapi ini dia nggak juga sampai di sini. Aku mencoba telepon dan sms tapi nggak ada respon.

Baru sekitar menjelang jam 11 malam ada sms dari sepupunya, “Mbak, mas Yuwi kecelakaan dannn...meninggal!!”

Kabar itu membuat tubuhku lemas. Masih belum percaya. Ingin rasanya aku terbangun dan menyadari ini mimpi!! Tapi ini bukan mimpi. Ini nyata.

Hatiku hancur. Retak dan sangat menyesal. Bahkan aku nggak sempat meminta maaf dan mengucapkan terima kasih atas kebaikan dan ketulusan dia disisiku. Kalau saja aku bisa menarik waktu dan mengubah segalanya, aku akan meminta maaf dan menyadari betapa dia sangat berharga lebih dari arti seorang kekasih.

Dia adalah seseorang yang telah mengajarkan aku tentang arti cinta kasih, tentang sebuah pengorbanan dan kehidupan.

Yuwi, mungkin kamu nggak akan pernah jadi pendamping hidupku. Tapi kamu akan menjadi bagian dalam hidupku. Dan biarkan aku meminta izin untuk mengatakan kepada dunia kalau kamu adalah kekasihku, walau terlambat.

satu hal yang sulit kulupakan tentang kamu adalah
saat kamu hadir dalam hidupku untuk ada
satu hal yang sulit kulepaskan tentang kamu adalah
saat kamu berkorban untuk hidupku untuk ada
satu hal yang tak mungkin kuhapuskan tentang kamu adalah
saat kamu menerima segenggam melati dariku sebagai perpisahan kita.
aku tau, sulit bagimu untuk membagi hatimu
aku tau, aku hanya datang disaat kamu bimbang
aku tau, aku hanya ada bagimu saat kamu butuhkan
tapi aku tidak pernah merasa menyesal
karena cintamu..
tapi aku tidak pernah merasa kecewa
karena harus berpisah..
aku hanya sulit melupakan dirimu,
bukan cintamu.
karena dengan dirimu lah aku merasa bahagia.
Yuwi...
saat terindah dalam hidupku adalah bersamamu
saat tersedih dalam hidupku adalah kehilanganmu
andai kelak kamu kembali lagi padaku,
aku tau saat itulah aku telah mengerti tentang kamu sepenuhnya.
andai kelak kamu kembali lagi padaku,
berjanjilah hatimu telah penuh dengan keinginan
untuk kebahagiaan kita selamanya
walau di dunia selanjutnya yang mempertemukan kita.


Begitu banyak bagian dari kita yang indah hingga aku tak sadar, tentangmu telah melahirkan sejuta air mata dan inspirasi dalam hidupku. Yuwi, mungkin sulit bagiku untuk melupakan kamu. Mungkin berpisah denganmu adalah hal yang terbaik diberikan Tuhan untuk kita.

Kamu tau, saat aku bimbang untuk memberikan isi hatiku padamu. Kamu mampu mengetuk pintu hatiku untuk tidak melepaskan kamu, tapi aku sulit dan merasa telah memberikan hal buruk dalam hidupmu.

Yuwi, aku tau kamu mungkin kini telah lupa akan segala yang pernah ada dalam hidup kita. Aku tau kamu mungkin kini, telah bahagia dengan Tuhan disampingmu.
Tak ada yang lebih mengharukan ketika kisahmu berhasil membuat ribuan air mata mengenangmu untuk sebagai pria yang indah bagi setiap orang yang menyayangimu.

Yuwi..semoga saja, kamu bisa kembali dalam hidupku.
Karena aku sungguh ingin kamu tau.. Aku sangat mencintaimu walau itu belum sempat kubuktikan padamu.

Semoga puisi ini menjadi hal terindah yang bisa kusimpan dalam hatiku untukmu.
Terima kasih telah hadir dalam hidupku.

***END***
Semoga kisah ini menjadi kisah yang mampu memberikan arti bagi kalian untuk mengerti bahwa kebaikan dan ketulusan di atas segalanya.
[based on true story of Etha]